Like other options, upmix and downmix can be added flexibly at any point in a workflow. Enter Engine with our Up/Down mix modules.Įngine supports stereo to 5.1 upmixing, and 5.1 to stereo downmixing, plus stereo to mono downmix. In any case, apart from particularly high value material, time in edit is likely to be prohibitively expensive, meaning another solution is required. Usually though, you don’t have access to the master, and only have the released stereo soundtrack. If you have access to the original master audio, and can afford edit suite time, you can create the surround audio in high quality. But older content is probably only available in stereo, yet the surround must still be provided. Ideally all content is produced in both stereo and surround sound versions so that the customer can select the appropriate source for their viewing/listening environment. Sometimes this causes problems for broadcasters, and a good example is the move to surround audio. Upmixing or downmixing within File-Based workflowsĪs we continue to try and offer an improved user experience, technology keeps changing.
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